Film & Television

Department Head, Assistant Department Head, and Key Hair for scripted television, feature films and commercials.

Amanda brings more than two decades of professional hairstyling experience to film, television, commercials, and editorial productions. Her career spans scripted comedy, drama, unscripted television, feature films, branded campaigns, and character-driven transformation work.

From early production experience to leading hair departments on major shows, Amanda understands the pace of a working set: early call times, continuity, talent comfort, fast resets, department coordination, and camera-ready execution.

“Working in television has taught me that preparation creates calm.”

Character Hair, Comedy, and Transformation.

Amanda served as Department Head for all five seasons of Key & Peele, leading the hairstyling department behind the show's rapid-fire character transformations that became one of its defining creative signatures. Every sketch demanded speed, precision, continuity, and the ability to create completely new looks under the fast pace of television production.

Her work on the series earned three consecutive Primetime Emmy Award nominations for Outstanding Hairstyling for a Multi-Camera Series or Special in 2014, 2015, and 2016. The recognition reflected not only technical excellence but also the creativity required to support hundreds of original characters across five acclaimed seasons.

FAQ

  • Absolutely.

    I've spent more than 25 years leading hair departments for television, feature films, and commercial productions. Being a Department Head means much more than styling hair—it's managing people, schedules, continuity, budgets, and problem-solving under pressure. My job is to make sure the hair department runs smoothly so production can keep moving.

  • Yes.

    Throughout my career I've had the opportunity to work with actors, comedians, musicians, television personalities, and high-profile talent. Every client deserves professionalism, discretion, and respect, whether they're a series regular, a first-time actor, or the lead on a feature film.

  • Most people think I just style hair, but the role is much bigger than that.

    I break down scripts, plan continuity, manage schedules, hire and supervise crews, coordinate with production, and make sure every character looks exactly as they should throughout filming. I'm responsible for making sure the hair department helps production stay on schedule—not slows it down.

  • That's how I've worked my entire career.

    Hair is just one part of the storytelling process. Every day I collaborate with makeup artists, costume designers, directors, assistant directors, cinematographers, and producers to make sure every character feels cohesive and every department stays in sync.

  • Absolutely.

    Whether it's a contemporary style, a period piece, editorial fashion, wigs, extensions, or a completely original character, I enjoy building hairstyles that support the story while remaining practical for production.

  • Continuity is one of the most important parts of my job.

    Television and film rarely shoot scenes in order, so I carefully document every hairstyle, product, placement, and technique to ensure the look matches perfectly—even if we're filming the next scene weeks later.

  • Yes.

    I've worked on everything from sitcoms and dramas to feature films, reality television, sketch comedy, editorial photography, and period productions. Every project presents different creative challenges, and I enjoy adapting my approach to fit the story being told.

  • Working under pressure has been my normal environment for over two decades.

    Production schedules change constantly, and I've learned to stay calm, organized, and flexible. My goal is always to keep talent camera-ready while helping production stay on schedule, even when the unexpected happens.

  • Yes.

    Whether I'm working with one assistant or leading a larger team, I enjoy creating an organized department where everyone understands the plan. Clear communication and preparation allow the entire team to work efficiently while maintaining consistent qualit

  • My background has shaped the way I think.

    After more than 25 years in film and television, I don't just think about creating beautiful hair—I think about how it supports the production. I understand schedules, continuity, collaboration, and the importance of solving problems before they affect the day. That's the mindset I bring to every project, whether it's a television series, feature film, commercial, or editorial shoot.

More Than Experience. Production Confidence.

What distinguishes Amanda is not simply her resume, it's her production mindset. She understands long shooting days, demanding call times, continuity requirements, actor comfort, department coordination, and the collaborative rhythm of professional sets.

Producers know they can rely on her to solve problems before they become problems, while directors and performers appreciate her calm demeanor, technical expertise, and unwavering commitment to helping every project look its best. As Amanda explains, virtually every job throughout her career came through “referrals from colleagues who had experienced my work firsthand” - a testament to the relationships and trust she has built over decades in the entertainment industry.